Who says wall trim has to be white? These designers are breaking the mold.
Who says wall trim has to be white? These designers are breaking the mold.:- Ask most designers what color they usually paint interior trim — no matter the wall color — and they will tell you the same: white.
My go-to trim color for years has been Benjamin Moore’s Decorator’s White, a crisp chalky tone that, when used for trim, makes any wall color pop. Occasionally, I will use Benjamin Moore’s White Dove, a softer, creamier white that works particularly well in more traditional rooms.
But lately I have seen several designers breaking the mold. They have gone bold and painted window casings, door frames, baseboards and crown moldings bright, saturated colors.
Most prolific in this gutsy movement is New York designer Steven Gambrel of S.R. Gambrel. Gambrel likes to choose a deep-toned accent color — plucked from another element in the room, such as an accessory or a fabric — for the room’s trim. “Painting the trim a bold color better defines the scale of the room, and it gives the room’s architectural elements — windows and doors — more prominence,” Gambrel says. He thinks of a room’s trim as he would a picture frame: A strong-colored frame focuses your eye and outlines that which is most important.
Of course, to paint trim a bold color, it needs to be in good condition and worthy of the attention color will draw, neither of which is a problem for Gambrel, who works with some of the most prominent architects living today and who typically stays very involved in the architectural choices from the beginning of a project.
When Gambrel’s clients agree to go bold with a trim color, he always cautions them to wait until the room is finished before they judge it; only once the textiles, furniture and accessories are in does the room make sense. “Painting trim against a neutral wall in an unfinished room feels too strong,” Gambrel says, “but when you start layering in carpet, trims, art and objects, it all becomes more balanced.”
Balance is important to Gambrel, which is why when painting trim a bright color, he usually uses a textured wallcovering such as grass cloth or rough-cut plaster. The texture of the walls balances out the brightness of the trim; without the texture, he says, the room would feel too “jumpy.”
For trim paint, Gambrel once used only the glossy oil paints from Fine Paints of Europe, but he has switched to Benjamin Moore’s Aura semigloss paints, which are VOC-free. (He still uses Fine Paints of Europe for front doors and very special cabinet details.)
Designer Meg Braff likes to paint the trim a vibrant color in rooms that have lots of windows and doors because, she says, “it unifies the space and makes the room feel less choppy.” But unlike Gambrel, Braff does not always keep walls neutral and textural. Instead she opts for vibrant wallpapers, which typically inform her trim color selection. In her rooms, the bright trim balances and anchors the busier wallpaper. In some ways it’s the opposite of Gambrel; he uses textured walls to balance the bright trim, and Braff uses bright trim to balance the vibrant patterned walls.